Palin: the Gileadian 'Aunt' manifested

    Welcome to Gilead, Governor Palin

    by: Cynthia Boaz, t r u t h o u t | Perspective

    photo
    In Margaret Atwood's dystopian novel, "The Handmaid's Tale," women are confined to a few, limited, gender-based tasks. They are kept in submission by the "Aunts," who reassure them that their subjugation is right. The "Aunts," according to Cynthia Boaz, have a whole lot in common with Sarah Palin. (Photo: Spencer Platt / Getty Images)

    If you've ever read Margaret Atwood's dystopian novel, "The Handmaid's Tale," you will recall the key role that was played by the women assigned to be the "Aunts." The story revolves around a futuristic American society in which fundamentalist Christians install a gender-based caste system where each woman is assigned a specific societal function. It is a commentary on the dangerous erasing of the line between church and state in the contemporary United States. The merging of religion and government is carried out by a group of older, white male "commanders" whose propaganda demands that citizens be constantly terrorized into submission and obedience. The resulting regime is Atwood's vision of the worst-case scenario: an American police-state theocracy where every woman's identity is reduced to her sexual attributes, and each is assigned to a category based on her physical qualifications. Subtle references to racist philosophy are mixed into the literalist religious rhetoric.

    The attractive young women of reproductive age are the "handmaids"; the attractive but infertile middle-age women are the "wives"; the dark-skinned women of any age are domestic servants, and so on. All women are forbidden from reading or writing. The country is renamed the Republic of Gilead, a reference to the biblical homeland of the patriarchs. And the Aunts - who are middle-aged white women of some previous prestige and education - are especially sinister characters. The primary job of the Aunts is to keep the handmaids (the childbearers) subservient. They go about this by convincing the handmaids that they are powerless and can only contribute to society when they fulfill their God-given responsibility to serve the commanders. The Aunts' job, put simply, is to exploit other women by keeping them submissive and telling them that it's for the good of all (and even more insidiously, that in obeying, the handmaids "empower" themselves.) What makes the Aunts so remarkable is their collective failure to realize that they are simply being used by the commanders to keep other women in line, and their willingness - glee, even - at doing so is simultaneously sad and terrifying. So what compels the Aunts to become traitors to both their sex and their country? First, they believe that their contribution to the repressive social order is righteous, and second, they've found that under this rigid system of social control, they have the illusion of a tiny bit of power.

    Does any of this sound familiar? It should. Governor and Republican VP candidate Sarah Palin is the Gileadian "Aunt" manifested. Her sudden emergence onto the American political scene, accompanied by a burst of enthusiasm on the part of many American women, is a surreal example of life imitating art. Much of Palin's rhetoric, tactics and personal philosophy seem to be taken directly from the Auntie training manual. By accepting the position on the GOP ticket despite her astonishing lack of qualifications, Palin signaled that she was prepared to be used - on the basis of her sex alone - in exchange for the promise of status and power. Refer to Palin's RNC convention speech, which was mostly a fawning homage to McCain's patriotism and leadership, sprinkled with condescending references to Obama as "our opponent." Although the lines were delivered with Palin's own folksy vernacular and over-enunciation, it was not Palin, but McCain - or more accurately, the GOP elders at whose feet he finds himself on election eve - who wrote the speech and whose voice echoed through the hall that night in St. Paul. Women who find themselves drawn to Palin because they think she epitomizes the classic "woman who has it all" might want to take a closer look. Sarah Palin was picked for the ticket solely because of - not despite - the fact that she is female. By keeping her sequestered from the media, McCain has confirmed he does not have faith in an unscripted Palin's ability to represent the campaign to the world. By going along with it, Palin is telling us that she's perfectly fine with being controlled by her male superiors. And by portraying herself as the candidate of the empowered woman (while simultaneously promoting policy that is openly hostile to the interests of working and middle-class American women), she reveals the sad truth about how little progress we've actually made.

    Lest we think that Senator McCain is hesitant to keep pushing this stereotype in the face of abysmal performances by Palin in news interviews, the most recent reports reveal that his campaign intends to hype the expected wedding between Palin's pregnant daughter and her boyfriend, the date of which is apparently being set just prior to the November election - with McCain and Palin sitting in the front row. Is it possible that Sarah Palin is just blissfully un-self-aware, or is it that she so eager for any illusion of power that she'll allow herself to be marketed no matter what the cost to the dignity of all women? If Palin were truly an empowered woman, she would have refused to allow herself and her daughter to be used in this manner - to assist a party whose rhetoric and imagery promote the ideal woman as deferential to established norms rather than acting as an independent - or critical - thinker. If her selection was intended to signal to American women that empowerment is possible, why is Palin being kept under lock and key? Clearly, this is not an individual whose intelligence or perspective McCain respects, or else he would permit her to speak for herself. To continue pretending that Palin's selection was anything other than an attempt to manipulate the voting public on the basis of a straitjacketed view of sexual roles is a dangerous lie that no American of any gender can afford to abide.

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    Cynthia Boaz is assistant professor of political science at Sonoma State University.

    Source URL: http://gbejadacosta.blogspot.com/2008/09/
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Debunked Heroine: Sherry Jones


    September 30, 2008
    Posted: 914 GMT

    LONDON, ENGLAND — “On hell’s door.” That’s where an American author and her British publisher were told they would find themselves if they dared print their historical piece of fiction entitled “The Jewel of Medina.”

    Apparently it’s not just a figure of speech. On Saturday evening on a quiet square in London, a tidy fire bomb was squeezed through the mail slot of a substantial door. The building is both the home and office of Martin Rynja and his Gibson Square publishing company who have just agreed to publish “The Jewel of Medina.”

    Little did the would-be terrorists know that Scotland Yard was keeping an eye on the house and warned Rynja to leave just the night before.

    Three men were promptly arrested on the suspicion of the commission, preparation or instigation of acts of terrorism.

    American author Sherry Jones is adamant that in writing her fictional account of the Prophet Mohammed’s youngest wife, Aisha, she meant no disrespect to Islam. Jones contends the book is meant to be a tribute to the courage and modern resonance of a little girl who was said to be Mohammed’s wife at the age of nine.

    Most have never cracked the spine of this book and yet it is speaking volumes to both sides in the freedom of speech debate, a debate that almost 20 years to the day is still haunting Salman Rushdie after the 1988 publication of his book, “The Satanic Verses.”

    Jones says it was actually Random House Publishing that jumpstarted this controversy. Random House was to publish her book in the UK but pulled out citing “security concerns.” That’s when Rynja and his Gibson Square publishing company stepped in to say it would indeed put “The Jewel of Medina” on European bookshelves. And then someone pitches a firebomb at his house.

    Anjem Choudary is a longtime critic of what he calls the blanket protection of free speech, especially when it offends Islam.

    “I’m not going to blame people who are reacting towards provocation. I think we need to deal with the root cause of all of this problem which is people gratuitously attacking Islam and Muslims and we should learn the lessons of Salman Rushdie,” he says.

    Just to make sure I heard him right, I asked Choudary if he was saying that the author’s life was in danger if she dared publish her book.

    “I think certainly, you know there will be consequences for her,” he said, reading the shock on my face and adding: “Well, would you just prefer that I remain silent? And then someone just you know firebombed some more houses and some more publishing places and you find blood on the streets of London? Is that a wise thing to do? I think it’s better for us to come out and tell you ‘look, this is what the Islamic verdict is.’”

    Shelina Zahra is no opponent of free speech, she and her blog, www.spirit21.co.uk, thrive on the cut and thrust of earnest, intelligent debate. But she too has reservations about the tone and content of the book.

    “I think the book raises the same big question again — where does freedom of speech end, and sheer good manners and etiquette begin? And it’s a conversation that is constantly at cross purposes, because the two shouldn’t be mutually exclusive. Muslims simply state generically, if we find it so upsetting, why do you keep publishing this stuff? Are you out deliberately to provoke?”

    Zehra says although she has not read the entire book, it certainly falls short of scholarly pursuit. And she asks openly, what is the purpose of publishing such a work?

    “I think Muslims are not saying anything about freedom of speech but actually legitimately calling a public debate on whether the concept of freedom of speech has blanket applicability, no questions asked, or needs to have a worthy cause which trumps social harmony and social cohesion.” says Zehra.

    And yet she says there would be nothing gained by calling for the book’s censorship, save perhaps big sales for the author and publisher as the “controversy” is played up in the media.

    This story is still simmering, so watch this space. We are still hoping to get comments from both Sherry Jones and her would-be publisher.

    In the meantime, what do you think? We want to hear from you.

    Source URL: http://gbejadacosta.blogspot.com/2008/09/
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Heroine: Tina Fey

Heroine: Malalai Kakar

    KABUL, Afghanistan — In an attack claimed by the Taliban, two gunmen on a motorcycle shot and killed Afghanistan’s most high-profile female police officer on Sunday as she prepared to leave for work in the southern city of Kandahar. The police in the city said she died instantly from gunshot wounds to her head. Her 18-year-old son, driving her car, was seriously wounded and taken to the hospital.

    The police officer, Malalai Kakar, who was in her mid-forties with six children, was an iconic figure among women’s groups in Afghanistan and abroad. Often profiled in the Afghan and foreign news media, she was one of the leading totems for the wider freedoms gained by women when the Taliban, with their repressive policies toward women, were ousted from power by an American-led coalition in 2001.

    The attack was the latest in a wave of attacks on women across Afghanistan for which the Taliban have claimed responsibility. After scattering in the wake of the 2001 offensive, the Islamic militants have regrouped over the past two years, mounting a new offensive across wide areas of eastern and southern Afghanistan. Attacks on women, girls’ schools and organizations working for women’s advancement have become increasingly common.

    “We killed Malalai Kakar,” a Taliban spokesman, Yousuf Ahmadi, told the Agence France-Presse news agency in a telephone call. “She was our target, and we successfully eliminated our target.”

    Ms. Kakar, with the rank of captain, was head of Kandahar’s department of crimes against women, heading about 10 female officers, and spent her working life tackling theft, domestic violence and murders. She joined the police in the city in 1982, following in the footsteps of her father and brothers, but was forced out after the Taliban captured Kandahar in the mid-1990s and banned all women from working.

    She was the first female police officer in the country to return to work after the Taliban were ousted.

    Her killing prompted a wave of tributes. President Hamid Karzai, on a trip to the United States, issued a statement calling the attack “an act of cowardice” committed by “enemies of peace and welfare and reconstruction of Afghanistan.” The Interior Ministry in Kabul, responsible for the country’s 80,000-strong police, about 700 of them women, called Ms. Kakar “a brave hero among women and loyal to her profession,” and said she had been “cowardly martyred.”

    The police commander in Kandahar, Matiullah Qati, said Ms. Kakar had continued working despite repeated death threats. “She took a big risk by continuing to work in the current serious situation, and her death will undoubtedly have a negative impact on other women who may have wanted to join the police but now may not dare to,” he said.

    The European Union’s mission in Kabul said it was “appalled by the brutal targeting” of the police officer, and added: “Any murder of a police officer is to be condemned, but the killing of a female officer whose service was not only to her country, but to Afghan women, to whom Ms. Kakar served as an example, is particularly abhorrent.”

    Read original NY Times article here


    Source URL: http://gbejadacosta.blogspot.com/2008/09/
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Heroine: Shada (Shatha) Nasser

    • Story Highlights
    • Yemeni lawyer Shada Nasser helped a 10-year-old divorce her 30-year-old husband
    • Since then, Nasser has volunteered to help other young brides
    • She is also working to raise Yemen's legal age of marriage
    • In some regions of the country, 8- and 10-year-old brides are the norm

    (CNN) -- "When I got married I was scared," remembers 10-year-old Nujood Ali. "I didn't want to leave my family and siblings."

    Yemeni lawyer Shada Nasser helped 10-year-old Nujood Ali divorce her 30-year-old husband.

    Yemeni lawyer Shada Nasser helped 10-year-old Nujood Ali divorce her 30-year-old husband.

    At an age when girls in the West still play with dolls, Nujood found herself married to a man three times her age. But in her home country of Yemen -- a deeply conservative Middle East Muslim nation -- this situation isn't uncommon.

    Yemeni lawyer Shada Nasser had long opposed the practice of early marriage when, in April 2008, she got a chance to do something about it.

    Arriving at the courthouse for her usual casework one day, Nasser was told about a young girl who had come to court alone. She met Nujood, who told her that she was desperate; she wanted a divorce.

    Nasser says she was appalled by Nujood's story, particularly her claims that her 30-year-old husband regularly beat and raped her. It was unheard of for such a young girl to get a divorce, but Nasser didn't hesitate to take the case.

    "When I spoke with her, I [felt] like she [was] my daughter," Nasser recalls. "I hugged her and said, 'Don't be afraid. I will help you and you will take the divorce.'"

    Since then, Nasser has volunteered to help other young brides, and is working to raise the legal age for marriage in Yemen.

    As a lawyer and activist, Nasser has always promoted the rights of women and children. Born in the progressive southern region of Yemen, she was raised in an affluent family. She graduated from law school in 1990 in Prague, which was then part of Czechoslovakia.

    Her father, a journalist and union organizer, died when she was young, but Nasser inherited his crusading instincts and has spent much of her career challenging the status quo.

    Among the first female lawyers in the capital city of Sanaa, Nasser has defended several women who she believes were wrongfully accused of crimes.

    "I believe in being a lawyer to help people," she says.

    By striving to end early marriage, Nasser is challenging a custom that's been part of Yemeni culture for centuries. Extreme poverty leads some parents to marry off their daughters, while others do it to protect the girls from spinsterhood, or from potentially shaming the family by getting involved with a man out of wedlock. Some find justification in the Quran.

    Sanaa University's Woman and Development Study Center found that more than 50 percent of Yemeni women are married before they are 18; in some regions, 8- and 10-year-old brides are the norm.

    The 1992 law that set Yemen's marriage age at 15 was later amended to allow even younger girls to wed with parental approval. However, they are not supposed to have sexual relations until they are "mature," a stipulation that's difficult to enforce.

    When Nujood's parents agreed for her to be married, they believed they were putting her in the care of her husband's family.

    Nujood's father, Ali Mohammed Ahdal, is angry about what the man did to his daughter. "He was a criminal, a criminal. He did hateful things to her," he said. "He didn't keep his promise to me that he wouldn't go near her until she was 20."

    Specialists believe that young girls giving birth at an early age has contributed to Yemen having one of the highest maternal mortality rates in the world, according to the United Nations Population Fund.

    After Nasser took Nujood's case, reporters packed the courtroom. When the judge dissolved the marriage, the story made headlines around the world. Sharia law dictated that Nujood pay her husband more than $200, which was covered by donations. Video Watch Nujood and Nasser tell their story »

    Now happily back home with her family, Nujood hopes to become a journalist, and says she never wants to get remarried. Reflecting on her experience, she shows a maturity beyond her 10 years.

    "I did this so that people listen and think to not marry girls so young," Nujood says. "Like what happened to me." Video Watch Nasser explain how Nujood has become a symbol for girls in Yemen »

    Nujood's case sparked a nationwide debate about the marriage age; Nasser and others hope to raise it to 18. Having already been contacted by other child brides, she's vowed to help as many of them as she can, for free.
    "I and Nujood, we opened this big window for all other girls," Nasser says. "Nujood's case is going to change a lot of things, and will better the lives of hundreds of young girls who live in the countryside."Source URL: http://gbejadacosta.blogspot.com/2008/09/
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Heroine: Agnès Humbert

    By Barbara Mellor
    Translator of Resistance: Memoirs of Occupied France

    Notre Guerre, Souvenirs de Résistance, Agnès Humbert, 1946. The listing on French eBay didn't give much clue as to the treasure that lay in store.
    Agnes Humbert 1930s
    Agnes Humbert's secret journal was first published in 1946

    Neither title nor author meant anything to me. But a memoir of the French Resistance published so soon after the war and - most intriguingly - written by a woman, might be worth a couple of euros.

    When it arrived, Notre Guerre - its evocative cream-coloured cover darkened with age, its blotting-paper pages roughly cut - exhaled the atmosphere of wartime Paris. There was no preamble, no introduction. As I started to read, I was plunged directly into the Parisians' agonized anticipation of the arrival of the German army in their beloved city in June 1940.

    Humbert's journal sent shivers down my spine. The powerful immediacy of the narrative, the raw intensity of the subject matter, the compelling presence of Humbert herself - all were overwhelming, electrifying.

    With her artist's eye, her self-deprecating humour, her talent for spotting the absurd and her palpable sense of outrage, Humbert was an irresistible companion

    But who was Agnès Humbert?

    A respected middle-aged art historian at one of Paris's most illustrious museums, Agnès Humbert was an unlikely candidate for Resistance heroism. But amid the chaos and bitter ignominy of defeat her soul rebelled ("I feel I will go mad, literally, if I don't do something!").

    Her character leapt off the page: impetuous, pugnacious, fiercely intelligent and irreverent, with an indomitable sense of humour, moral passion and integrity that would never desert her throughout the ordeal that awaited her. This was the woman, after all, who (I learned from her fellow résistants) would distribute incendiary tracts in the streets of Paris from supplies stuffed down her stocking tops, who would delight in making Vive de Gaulle stickers to paste on the back of German military vehicles.

    With her artist's eye, her self-deprecating humour, her talent for spotting the absurd and her palpable sense of outrage, Humbert was an irresistible companion, who offered a riveting day-by-day account of the genesis of the Resistance.

    That stifling summer, in a leap of blind faith and reckless courage, she and a handful of her distinguished colleagues at the Musée de l'Homme - eminent ethnographers and Egyptologists, linguists and librarians - formed what was almost certainly the very first organized Resistance group.

    Hitler and generals stroll in Paris in June 1940
    The Gestapo came for Humbert at her sick and elderly mother's hospital bedside

    It was as though the upper echelons of the British Museum had turned to new careers as urban guerrillas and saboteurs. In those desperate early days, they could not have known that their unlikely little group would become the nucleus of a great movement; that one of their number would rise to work at De Gaulle's right hand; and that plans they passed to British intelligence would contribute to the strategically crucial raid on the U-boat base at Saint Nazaire in 1942.

    By that time, it turned out, they had also recruited a double agent who would betray them to the Gestapo.

    Its leaders arrested one by one, the Musée de l'Homme network was to earn a tragic place in history. The Gestapo came for Humbert at her sick and elderly mother's hospital bedside.

    Soup kitchens

    After a year of brutal imprisonment and interrogations, the group was tried before a military court. The seven men were condemned to death by firing squad; the women had their death sentences commuted to slave labour in Germany.

    So for Humbert there began three years of slavery for the German war machine, a little-documented nightmare dubbed 'the other Holocaust'.

    Long-awaited liberation at last arrived in the form of an advance unit of the American Third Army. Exhilaration was rapidly spiced with exasperation. Faced with the incomprehension of American officers (not noted, as she observed drily, for their political acumen) and the cowering inertia of the local German population, Agnès threw off her shackles to set up first-aid posts and soup kitchens for the armies of the dispossessed - including, at her express insistence, German civilians.

    Agnes Humber
    Humbert continued to write books on art until her death in 1963

    Furthermore, through her own indefatigable efforts she set up an embryonic denazification process on the one hand, while on the other arguing stoutly that indiscriminate persecution of the Germans would only encourage the rise of 'another Hitler'.

    Generous as ever in her recognition of the human values for which she was prepared to lay down her life, on publication of her journal in May 1946 she sent a copy to the conspicuously fair Wehrmacht officer who had presided over the Musée de l'Homme trial, inscribing it to him 'without rancour'.

    Barbara Mellor is the translator of Agnes Humbert's memoirs which are published as Resistance: Memoirs of Occupied France by Bloomsbury. Source URL: http://gbejadacosta.blogspot.com/2008/09/
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Milan Fashion Week Spring 2009 Highlights

    Let’s take a glimpse on some of the highlights of Milan Fashion Week Spring 2009.

    Missoni Spring 2009 collection was comprised of different shades, tones and styles. The colour palette used in the collection is a combination of pink, gold, blue and yellow. Models walked the runway in palazzo pants, summer dresses, high-waisted straight skirts and silk blouses, accessorized with chunky belts. The evening gowns were embellished with studded detail, to give them added flair.



    Burberry Prorsum's Spring 2009 collection had an autumn/fall feel because it comes with shades of grey, brown, and bronze. The collection was made up of hats, Barbour-style hunting jackets, skinny cardigans, drop-waist dresses. Models were accessorized with oversized statement necklaces which Christopher also presented in his Fall 2008 collection.



    Prada's Spring 2009 collection was like the Fall 2008 lace collection, with cropped tops, bra tops and key hole dresses and crumpled pieces. Shrunken jackets had no fasteners except a tie at the neck. Open backs on cashmere jumpers were tied with cotton strings like hospital gowns. There were also sexy secretary silhouettes and python prints.



    Giorgio Armani Spring 2009 collection was full of luxe fabrics of organza and chiffon, with a color palette of light and pastel shades of sandy beige to sea shell brown. The designer presented a mixed collection of romantic above-the-knee dresses, ankle-length gowns, Bermuda shorts and slim pants. Signature pieces like tuxedo/blazers were given a modern touch, with asymmetrical buttoning. Dresses were either strapless or layered with petals.



    Emporio Armani Spring 2009 collection’s color palette includes navy and white, with shades of grey. The trousers picked up on the trend from New York Fashion Week, and were either cigarette pants or harem-inspired. Blouses and dresses were adorned with large statement necklaces.



    Source

    Source URL: http://gbejadacosta.blogspot.com/2008/09/
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Heroine: Somaly Mam


    Published: September 25, 2008
    Sex trafficking is widely acknowledged to be the 21st-century version of slavery, but governments accept it partly because it seems to defy solution.


    World leaders are parading through New York this week for a United Nations General Assembly reviewing their (lack of) progress in fighting global poverty. That’s urgent and necessary, but what they aren’t talking enough about is one of the grimmest of all manifestations of poverty — sex trafficking.

    This is widely acknowledged to be the 21st-century version of slavery, but governments accept it partly because it seems to defy solution. Prostitution is said to be the oldest profession. It exists in all countries, and if some teenage girls are imprisoned in brothels until they die of AIDS, that is seen as tragic but inevitable.

    The perfect counterpoint to that fatalism is Somaly Mam, one of the bravest and boldest of those foreign visitors pouring into New York City this month. Somaly is a Cambodian who as a young teenager was sold to the brothels herself and now runs an organization that extricates girls from forced prostitution.

    Now Somaly has published her inspiring memoir, “The Road of Lost Innocence,” in the United States, and it offers some lessons for tackling the broader problem.

    In the past when I’ve seen Somaly and her team in Cambodia, I frankly didn’t figure that she would survive this long. Gangsters who run the brothels have held a gun to her head, and seeing that they could not intimidate Somaly with their threats, they found another way to hurt her: They kidnapped and brutalized her 14-year-old daughter.

    Three years ago, I wrote from Cambodia about a raid Somaly organized on the Chai Hour II brothel where more than 200 girls had been imprisoned. Girls rescued from the brothel were taken to Somaly’s shelter, but the next day gangsters raided the shelter, kidnapped the girls and took them right back to the brothel.

    Yet Somaly continued her fight, and, with the help of many others, she has registered real progress. Today, she says, the Chai Hour II brothel is shuttered. In large part, so is the Svay Pak brothel area where 12-year-old girls were openly for sale on my first visit.

    “If you want to buy a virgin, it’s not easy now,” notes Somaly, speaking in English — her fifth language.

    Read the full article hereSource URL: http://gbejadacosta.blogspot.com/2008/09/
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The Magic of Fashion with Hermione Granger (Emma Watson) @ Harper’s Bazaar October 2008 Issue

    The U.K.'s top designers show Harry Potter's brightest girl, Emma Watson a.k.a Hermione Granger, how to cast a sartorial spell in the upcoming October 2008 issue of Harper's Bazaar. Check out some of the bewitching spreads as Emma got styled by Alexander McQueen, Christopher Bailey, Viviene Westwood, Marios Schwab, Philip Treacy, Matthew Williamson, and Giles Deacon.










    Source

    Source URL: http://gbejadacosta.blogspot.com/2008/09/
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Steven Klein's Aggresive Photos For September Issue of Vogue Italy

    After his aggressive photoshoot with Brad Pitt and Angelina, Steven Klein made another series of photos for the September issue of Vogue Italy. First he captured Guinness heiress, Daphne Guinness, in an amazing shoot for the editorial entitled "The Honorable Guinness" in the "Future Couture" supplement of the said magazine issue. In this dramatic shoot, Daphne is held hostage at gun point, watches a fellow model is burned on the pool lounge, and many more.















    Secondly. Steven Klein was also responsible for the editorial photos of the magazine entitled "The New Warriors". It features models Jessica Stam, Caroline Trentini and Catherine McNeil in chic warrior pieces of fur, Lycra leggings, high waisted leather pleated pants and platform shoes. The set of photos includes a usually angry face of a model with Cubist face paint and the other models were seem to be fighting woth each other.







    Photo Sources: 1, 2
    Source URL: http://gbejadacosta.blogspot.com/2008/09/
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Fashion War: Maximalists vs Minimalists

    What if two ladies will walk into a bar or a restaurant. One's dressed in black,white, navy, or gray and in lean, clean and understated fashion. The other's dressed in in layers, textures, embellishments, prints and clashing colors. How can each claim to be the best-dressed lady in the room? Because in matters of fashion, there will always be champions of simplicity (minimalists) and champions of excess (maximalists).

    Before the debate begins, let me present to you the suggestion of Net-a-Porter site about this matter. Amidst the push and pull of maximalism and minimalism, we can try both and feel the power look. I guess we can call it maximin or minimax look.

    Here's some images from the site...the different styles of minimalists and maximalists. You can visit the site to shop for the following looks.














    Source URL: http://gbejadacosta.blogspot.com/2008/09/
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